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The following review appears in the current edition (July 8th 2011) of The Munster Express, penned by Liam Murphy who was in attendance at the Monday performance of Smitten. We would like to thank Liam and The Munster Express for taking the time out to travel to Kilkenny for each of Scratcher, Shifting and Smitten as part of our residency here at No. 76 and carrying words like these in the papers. The online world can only get you so far and we’re absolutely aware of and thankful for the support of traditional and broadcast media throughout the residency and the past five years of The Devious Theatre Company.

John Morton and Suzanne O'Brien in Smitten

The Review

The excellent Devious Theatre Company completed their residency with Kilkenny Arts Office with an updating of another John Morton play – Smitten – a Kilkenny love story, a play that wants to be a musical. As ever there is a newness, a freshness, an in-your faceness about Devious that does not have a Waterford equivalent – mores the pity. They seem to assemble excellent casts, time after time and convert spaces into site-specific performance places.

Smitten is a contemporary love story, as evocative as the movie Love Actually and as episodic. But by introducing a song and dance approach you got a trivialisation that is the staple of moon and June, Singing In The Rain type shows.

In Act I the stage changes to song and dance mixed with sketch type Fast Show routines diluted the contemporary mes- sage and even the bad guys and girls were beneath it all, good people – In The Future When All’s Well.

However, in Act II a more edgy darker story emerged but drunks were good drunks addicts didn’t OD and people agreed to begin again, give it another go, another lash as it were. Once again, the individual work of the ten person cast was impressive.

Director and writer John Morton played a pivotal role as easy-going tattoos Tommy but maybe this was a dance too far. Amy Dunne was a wonderful contradiction as the librarian who swore a lot. Ken McGuire was Dave the unemployed, remorseful drunk and he made the most of his appearances. David Thompson becomes characters and I loved his emigrating carpenter whose hands were always in bandages. He was the accident that kept on happening. Suzanne O’Brien was luminous as the ditsy Daffney Molloy was Dorothy in the Wizard of Oz but there was no Yellow Brick Road in Kilkenny. However, it was Annette O’Shea as Clare the nurse who went and came back that brought a quality to an amazing place. I felt the standing ovation was particularly for her and a theatre company who make new theatre, obviously.

Testing… testing… is this thing on?

It’s the morning of January 25th which means that we’re now, officially, a fortnight into the our residency at No. 76. It’s actually been that action-packed and that non-stop with building, decorating, reading, rehearsing, eating, boiling of kettles, running around, dancing, prancing, singing, falling, hanging posters, watching DVDs and so much more that we haven’t had a second to get to the blog. Seriously. Ish.

Allow myself to introduce… myself… I’m Ken (McGuire), one of two Devious Theatre contributors you’ll find on the blog here for the next six months as we recount tales to others on the goings on of our theatrical residency at the Kilkenny Arts Office.

As a background to this, we (as a company) were invited by Mary Butler to take part in the residency scheme here in the latter stages of 2010. Between myself, John (Morton) and Paddy (Dunne), we devised a scheme and a theme for the residency, one of our biggest undertakings in the near five years that we’ve been functioning as a company. In the past we’ve produced works such as Heart Shaped Vinyl (2006/7), Cannibal! The Musical!! (2007), Trainspotting (2008), Smitten (2008), Stags and Hens (2009), Accidental Death Of An Anarchist (2009) and Can’t Pay? Won’t Pay (2010). We’ve also won some awards along the way including a PPI radio drama award for The War Of The Worlds (2008). We’ve dabbled in Shakespeare with devised performances of Shakespeare In Bits (2009) and now, after all of that, we’re undertaking to produce not one, or two, but three full-length productions inside a six-month window, a new radio drama and a series of rehearsed readings to develop new work.

That’s what the residency is all about for us.

Developing new work.

We’ve been given a golden opportunity (and our repeated thanks again to Mary, Niamh and Kilkenny County Council for their support over the years and again this year with the residency) to develop as professional, as a company, to create new work and nurture new actors and writers. We’re taking on people we’ve never worked with before, we’re branching into areas of theatre we haven’t worked in before (at least in our guise as Devious) and we’re doing is all from the cosy confines of No. 76 John Street.

We invite you to the Arts Office to sample the delights of residency titled In The Future, When All’s Well. For all is not well and all is not certain. We’re currently midway through the rehearsal process for our first production of 2011, Scratcher, written and directed by John Morton. After that we’ll be moving on to Shifting, written by John Kennedy, a young writer we have taken on board for the term of the residency and come June we’ll have arrived at Smitten, a show produced in 2008 to great local acclaim but now rejigged, refreshed and all-singing all-dancing.

We’re going to get you up to speed with everything over the next few days in terms of Scratcher, pending auditions for Shifting, a scheduled appearance at a festival of new theatre in Dublin and much more.

If you’re passing No. 76, do drop in. You may find us in rehearsal, you may find us playing some kind of ball game, you may find us sitting at a desk hammering out emails, running poster designs, chatting on Facebook, you never know. The point is, the door is (almost) always open. The front windows have been taken over by a display of some of our artwork over the years and we’ve got daily screenings of our past productions on DVD as well so if you’ve missed a show, you’re welcome to pop in and catch one on the big screen (wall).

We’ll be back again shortly…


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Art at No. 76

The aim and focus of the Art Residency at No. 76 is to enable the successful applicant to research and develop their practice. Other aims of the residency are to: give insights into how and why artists create their work, build relationships and further promote the Arts, provide an awareness and further appreciation of the Arts, cultivate and develop new audiences. The Kilkenny Arts Office is part of

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June 2020